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Marketing Loft [Public] / Re: 8K books in one year, really?
« Last post by Hopscotch on Today at 08:30:09 AM »
I'm writing for me....And I'm publishing for money.

 :tup3b
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Marketing Loft [Public] / Re: 8K books in one year, really?
« Last post by LilyBLily on Today at 07:51:58 AM »
Barbara Cartland stole lots of story ideas and some actual text, much of it--and one entire story in particular--from Georgette Heyer. Still, I enjoyed reading Cartland, and there were a couple of her books that resonated with me as very poignant. I always have wondered where she stole those particular stories from. Maybe with all the plagiarism checkers that exist today I could find out--that is, assuming the books she stole from ever got online. They would still be under copyright at the moment, although give it another ten years and maybe not.

As for writing being a business, there are a couple of other considerations.

1. If I want to deduct business expenses, I must never claim this is a hobby. The IRS would love to refuse all my expenses if it could, Schedule C being one of the biggest personal boondoggles available to individual taxpayers.
2. Lots of authors take an extremely cavalier attitude toward record keeping, proper business tax filings, and so on. They need to be reminded to conduct this as a business.

As for the rest, the IRS does not require us to be smart business owners and make a profit. After all, 90% of new businesses fail. Or is it 99%? The IRS would prefer us to make a profit, but that three years out of five rule is pretty much a canard. It helps to show that we had some income, though. That we at least tried, however ineffectually, to make a profit.
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Marketing Loft [Public] / Re: 8K books in one year, really?
« Last post by Lynn on Today at 07:23:49 AM »
Even for AI at this point I do think you get out of it what you put in. If I'm a reader and I know nothing about story and I just tell it what I want, I'm probably not going to get anything good out of it. It's going to have to have an awesome framework built around it that can take what I tell it and turn that into something good, and that is where an app might have an advantage. But once you get to a certain level, readers get things they didn't even know they wanted from you when they read your book. That's just like what PJ said. I mean, he had a great point in the fact that some of the best works are the things that hit right, but you absolutely did not realize that was what you wanted.

Getting that kind of thing from AI? I think that's going to continue to be be miles more difficult than what all the cheerleaders seem to think is going to be coming out of AI in the near future. Hell, even the best authors can't do that every time they write a book. With AI, the consistency from book to book may not be there so it may be a lot harder for people using them to create a single author's catalog in a way that creates true fans. To get that kind of consistency, that will involve someone in the background really curating the work. It's not going to be these pseudo authors who type in "write me a 50 chapter book about a guy and a girl who fall in love on a bridge, and I like fake relationship tropes and enemies to lovers."

Also, let me just throw one of the major players in AI generated writing's discord server under the bus here, but I came away from a couple of those channels realizing that there is no competition from people who don't already know writing. It just isn't there. The things I saw people grappling with were the most basic, the most cringe-worthy aspects of all of us when we were just learning how to write. And you cannot get a story from AI that is publishable if you don't know what publishable is. Maybe some of those people will learn how to write books during the whole process of trying to get a decent book out of AI, I don't know, but they're not our competition now, that's for sure.

I do happen to agree with Timothy that the crap will sink. The only difference between this and get-rich-quick-pseudo-authors' previous attempts to just put a lot of crap out and hope something makes a sale is the volume that's possible with AI generation (and by crap I'm not talking about subjective definitions of what's good and not in story I'm talking about stuff that has no cohesive plot that has no story that might be paragraphs that just really have no connection to each other at all, because I think there are no truly objective ways of determining what is good writing and bad outside of whether or not the story can actually be understood by the reader, because writing is communication). Something will have to be done about that. Because it is nearly every person's dream to get rich quick with no work or effort, and there are a lot of those people out there side eyeing AI now thinking it is the answer. :)

Anyway, good thoughts. I agree with a lot of what's been said in the thread, but I do think it's going to be impossible to differentiate. We want people to be able to self-report but can't trust that system. We want the system to tell us when we need to check one box or the other, but it's an ever-changing world with a fastly developing technology. I don't think it's possible without a completely binary choice.
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After purchasing a book, I got an offer to subscribe to the series, so that each new title would be delivered automatically.

Amazon has long had "subscribe and save" program for consumable products, but this is the first indicator I've seen of such a thing being done for books. It seems as if it would boost series sales.

I've also seen a next-in-series box just now on a post-sale page inviting me to preorder the next book. I don't recall ever seeing that exactly, either. Both of these take the place of the follow-the-author box.

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Marketing Loft [Public] / Re: 8K books in one year, really?
« Last post by Bill Hiatt on Today at 06:46:56 AM »
Quote
The only kind of fair check box that would work in my opinion is one that says did AI touch any part of this product or did AI not touch any part of this product? (Then list out examples of every possible AI product that could have been used, because too many people will not realize that their software editor is AI-powered and the suggested reword of that sentence was an AI written suggestion.) But if you do that then basically you're literally banning AI assistance for everything with relation to writing and that's just not going to happen. Because I mean who's going to give up their pro writing aid, etc. (I don't use it. Spell check is good enough for me.) And now even Word if you're not using an ancient version.
Lynn, it's a good point that finding a clear way of separating AI from non-AI isn't going to be easy. I think it might be doable, however, if people were willing to put in the effort.

When I was still teaching, and before AI products like ChatGPT, I had to address this kind of question with regard to human assistance on take-home essays. Specifically, how much help could a student get from somebody else before the student got into ethically questionable territory. I told my students that they could receive from someone else only as much help as I would give them if they came in for a writing conference. Specifically, that meant that someone else could point out problems but not provide the fixes (except in cases of simple spelling and grammar issues--the students needed to be able to revise their own work. And the content of the work needed to be theirs, not someone else's. Students got enough feedback from me to have a good idea of how to apply such a guideline, and I got very few questions about it.

Looking at some high school and college guidelines, I see that the thinking behind them is similar. Submitting straight AI work as your own is plagiarism. Submitting AI work with only minor corrections is plagiarism. Using AI as a research tool is definitely not plagiarism as long as a student goes back to the original sources and cites them appropriately. Everyone seems to agree on those areas. Some guidelines are more willing to accept AI as a first-draft producer than others. There would have to be more discussion on that. Most will accept AI-based grammar and style advice. (But from what I've seen, AI tends to take the distinctiveness out of people's style, so creatives should use it with caution.)

To me, a much bigger problem is the self-reported nature of the labeling. I suspect that many people will simply say they didn't use AI. Amazon will do what Amazon always does and wait for complaints. With enough complaints, they'll look and pull the book if it seems to be unedited AI. I suppose that if readers don't spot a problem, the author has done enough editing to make the product much more his or hers. As you point out, it's hard to get long material from AI with enough cohesion to make a book unless one edits extensively.

As far as the ubiquitous nature of AI, yes, Word has AI features, but they are easily disabled. Copilot in Word can be unchecked with a single click. Spelling and grammar checks look about as they looked before AI, so I don't see a problem there, but that could be turned off as well. "Show text predictions when typing," can also be turned off. (The predictions are pretty generic, so I'm sure whether that's AI or not.)

As for Pro Writing Aid, I stopped using it when it got loaded up with AI features. The same for Grammarly. (I experimented with both in the past.) Perhaps a thorough check would reveal just how much AI is really involved, but I wasn't taking any chances.

I'm pretty sure that anyone here will use AI in a responsible way. But there will be people who will try to get by with as little work as possible. Over time, I think the system will find ways to regulate them.


 
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Marketing Loft [Public] / Re: 8K books in one year, really?
« Last post by Lynn on Today at 05:47:17 AM »
Saying we can prioritize both is just rationalization. I think it stems from not being comfortable with either the straight business side of things (selling sh*t on the internet) or the Artist side (perceived pretentiousness). At the end of the day, we are all Artists - we create stuff. And we are also craftsmen selling sh*t on the internet.

But muddying the waters between these goals (profit v Art) is typically bad for the Art, and even worse for sales.

___

Also, the underlying motivation is different. Artists are seeking validation. Business folks are seeking financial reward. One makes you feel good about yourself, the other pays the rent.

Not the same.

___

Also also, innovation is a different beast altogether.

Your set up is misleading. You're forgetting something important.

A self-publisher is running two businesses. Even if they don't claim they are for tax purposes. Artist. Publisher.

Artist - can choose to follow art only, money only, or maximize both to the best of their ability using whatever split they prefer.

Publisher - follow the money, or follow the art. Be bottom-dollar focused, or be focused on their position in the world of literature. This last one is fundamentally harder than any other option for a self-publisher. Probably shouldn't be a self-publisher if that is what you're most interested in, but hey, there have been worse businesses that fail faster, so who knows.

As for me, I write what I want, how I want, I make my covers how I want, even if it doesn't fit trends, because I like being in control and doing things my way, but when it comes time to publish, I am thinking of the money. I have no interest in readers for the sake of being read.

Validation? What a joke.

If it weren't for the money, I'd trunk my finished stories and move on to the next. Or I'd just read other people's books and watch TV because it's easier.

I had quit writing anything but fan fiction when found self publishing. (I started out in original fiction and found fan fiction much later.) I wanted to make a living writing, youthful ideas and all that, but went to a con and pitched to some editors and agents and realized I absolutely hated the process. Came home, buried the manuscripts instead of sending in the requested fulls, and moved on. Then, some 3 years or so later, I came across something about self-publishing.

I realized it would let me write again because I'd have a reason (money! money is a great reason to write), so I started self publishing. :D

I could try to sell what I wrote and not have to work for someone else. But if I couldn't write what I wanted I'd have rather done something else.

Technically, I guess this falls into your doing it for the art category, but if it's because I have something to say I guess the only person I want to hear it is me. But again, I think you have that all mixed up.

I find reader expectations burdensome. I do love it when they like something I've published, but I don't change anything for them. Only me. If I like it, I've succeeded.

I guess I'm lucky in that I have a low-brow taste and seem to like the things some other people like (but not the majority of people or I'd be making a lot more money than I do).

So, am I writing as an artist would or for the money? I'm writing for me. Is that even art? And I'm publishing for money. If they are mutually exclusive, then there's a fundamental flaw in the way you've presented your argument. You are treating writers and publishers as the same entity just because they're being done by the same *person*.
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Marketing Loft [Public] / Re: 8K books in one year, really?
« Last post by Lynn on Today at 05:24:28 AM »
We're the producer, director, and source of ideas if we use our own ideas. I really think it's going to be way too nitpicky to start separating out at what point AI is assistance and what point AI is the one doing all the work. That's why I don't think it'll ever be possible to have these categories and have them actually mean anything. Even Amazon's tried it with their two selections, but that still leaves a lot of wiggle room depending on the subjective belief of the person checking the boxes and how important they believe their contributions were to the end product.

Heavily edited to one person may mean a single run through of a draft changing a word every four paragraphs, and to someone else it may mean six drafts in which the beginning product looks nothing like the end product. It's just that all of these are subjective to the person making the claim.

The only kind of fair check box that would work in my opinion is one that says did AI touch any part of this product or did AI not touch any part of this product? (Then list out examples of every possible AI product that could have been used, because too many people will not realize that their software editor is AI-powered and the suggested reword of that sentence was an AI written suggestion.) But if you do that then basically you're literally banning AI assistance for everything with relation to writing and that's just not going to happen. Because I mean who's going to give up their pro writing aid, etc. (I don't use it. Spell check is good enough for me.) And now even Word if you're not using an ancient version.

It does feel weird that I'm so particular about who or what touches my main books, but am having fun with AI too with these other ideas. It does feel fundamentally different so maybe that's it.

And I will say, what the AI generates needs touching by someone who understands story, otherwise what you get is just really bad reading. There are touches of really fun and interesting things there but it's extremely difficult to get anything from the AI that is cohesive enough to become a full book without someone in charge doing what someone who knows story can do with it. It continues to get better but even as good as it is now it still needs strong direction to do well.

I'm actually pretty excited about this experiment I'm going to do, but I do have to get some of my only-me stuff out of the way first. As slow as I am, it may be past the point of needing me at all when I finally get ready to do it. :D
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Marketing Loft [Public] / Re: 8K books in one year, really?
« Last post by alhawke on Today at 05:13:39 AM »
Up to 24 1 stars but it's still up. I don't know, readers might get it with so low a ranking if Amazon doesn't take it down. I can't believe it has the same title.

If AI is used to write a book, it needs to be added as a badge by the title on all retailers. That's been my opinion all along.
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Star Trek fans did create a Klingon language, but that was a community project, not the work of one person.

James Doohan and Jon Povill came up with the first bits of dialogue for Star Trek: The Motion Picture.  Then, for Star TreK III: The Search for Spock, Marc Okrand was hired to create the language.  He used the words created by James Doohan and added more and developed the grammar rules.  He published The Klingon Dictionary in 1985 and later released additional books on the language.

While others have suggested words, Marc Okrand is considered the authority and most only regard his submissions as official Klingon.

Qapla'!
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Marketing Loft [Public] / Re: 8K books in one year, really?
« Last post by Lorri Moulton on Today at 04:24:32 AM »
I see AI and ghostwriting as pretty much the same.  Why put our name on something we didn't write??

At the end of the day, be a publisher...not an author.  An author WRITES.  If we're not writing, we're not the author.
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