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31
I've started moving toward shorter chapters as I've gone along, though initially I was thinking pages rather than words (which actually doesn't work as well in a word processor, unless the page size and margins are set up to mimic a paperback book.

Initially, I was going for a max of ten pages. If the earlier estimate (1200 words to a page) is correct, that would have been a max of 12,000, but since I was aiming more at an average of seven than hitting the max every time, that would have been 8400. More recently, I'm thinking that's perhaps too long.

When I started Substack serialization, the goal was to avoid having the post (which would usually be a chapter in a serial) get truncated in email (with a click-to-read-more at the end). Posts over over 6,000 words get into the danger zone, so that would be a functional maximum. Occasionally, posts would come close to that (usually the first part of a serial or the last). Most of the time, they'd be in the 1,000 to 3,000 range.

But as far as chapter breaks go, I follow the architectural maxim, "Form follows function." In other words, the chapter breaks must ultimately be determined by natural break points in the narrative, not forced into a length formula. If you're serializing or trying to keep people reading in a regular novel, it helps to end at a suspenseful point, so for me, that's one determiner of a break point. Since I've been writing with that in mind for some time, it's not hard to make that happen for a reasonable length chapter. It would be harder to take an preexisting piece and do that with it.

On the 42-chapter model, Post-Doctorate-D has a good point about not wanting to borgify things. However, the imitation of biblical structure in this case feels a lot like it's an author thing more than a reader thing--something an author will know is there but a reader will probably miss unless it's explicitly pointed out. There's nothing wrong with it being an author thing--unless enforcing it hinders the reader's experience.

I'll end on a funny story. One of my books has a Hitchc*ck moment--a brief appearance by me as a character. (Well, it's actually a shapeshifter pretending to be me, so I guess, only semi-Hitchc*ck.) The character is called Mr. H, teaches English at the high school where I used to teach--and where the scene is set--and matches my physical description. A number of people who knew me read that book and missed that entirely. Even people who read my bio might have at least wondered about it, but as far as I can tell, no one did. It tickled me but was lost on my audience completely.



   
32
Just to add my own thoughts over chapter length. I personally have no rule on the length of my chapters. It's whether it works or not. Some chapters have been one paragraph. Others have been forty pages. My rule, if there is one, is whether it moves. If a chapter moves and you can't put it down, I don't think it matters how long it is. If it's descriptive and slow (sometimes a nice transition) you might run the risk of the reader putting it down... The death of a book is if a reader puts your book down... for good. But, honestly, I've never thought of chapter lengths myself.

And don't forget about using chapter breaks. Sometimes you don't need an entire new chapter. Other times, it helps with effect if the reader has to turn to see what happens next.
33
Yeah I was thinking I can do 42 chapters a book. I really just like 14, because its the same structure as the biblical generations between important people/events. 14x3 is 42. And from Abraham to Jesus Christ is 42 generations, separated by 3 sets of 14 per major event. So there is a reason for my madness. But, I was told 100k words is perfectly acceptable for a book.

IMHO, don't let people harsh your mellow.  Too many people don't try neat or creative things, like your 14x3 structure, because they get talked out of it.  And then, too often, the end result is a homogenized Borg-ified book that anyone could have written that is practically indistinguishable from similar books in its genre.  I mean, if mediocrity is the the river you want to float your boat on, by all means grab your paddle and row, row, row your boat.

Otherwise, if you want to do something different, like your 14x3 structure, find a way to make it work.  The readers that know or figure it out will appreciate it, especially in your genre.  It's like a giant Easter egg staring them straight in the face that only some will see.  But those that see it will no doubt appreciate it.  And the readers that don't care won't care one way or the other, right?
34
Lisa Scotoline has one-page chapters and they totally work because she's writing suspense. They're very dramatic. Timothy is absolutely correct that a long chapter bogs down the pace. Pacing is just about everything in a novel, although you might think that story trumps it. Not so. Check out best-selling novels and what you'll routinely discover is superior pacing, not superior story.

A person reading a book is not concerned per se with chapters. They are concerned with narrative. So you should end a chapter (with a bang) when a scene ends. Readers also like natural breaks, so they can turn off the light and go to bed. That's another thing a chapter end signals. Of course we all cheat and salt in some big surprise to make them read the next chapter and stay up too late; it adds to the drama and pushes the story along. 

Thinking that you must have a certain number of chapters and levels and sublevels is too much regulation of a kind that a reader simply will not care about. The reader is not counting your chapters and neither should you. The story should flow, and breaking it into chapters helps the flow. You might think otherwise. Perhaps you have a very tense scene that goes on and on and on. You might ask yourself why it does and what its natural rhythm is. Are there multiple moments when the scene could break? Why does it take 25k to tell this part of your story, and why can't it be in 5k chapters? That's a decent chapter length and not uncommon, 20 pages of manuscript at 250 words a page.

Above all, don't be doctrinaire about chapters/scenes. Incorporate breaks where they will help your flow. Incorporate scene-setting information as subheads, such as: Chapter 12, Las Vegas, 3 a.m.

You may not want to do books as short as 65k, but 100k makes a substantial read without being an enormous commitment. Not every reader wants a doorstop.

35
When planning this stuff out, always remember that the 'perfect' is the enemy of the 'good'.
36
My average is 1200 words per chapter.

:icon_eek:

I guess I'm closer to MattT's idea of "short."  1200 words is roughly 4 pages.  And, that's your average?  So some are even less than that?

:eek:

Shortest chapter was a single sentence.

Longest one is about 3000.

These days I usually go early 50's for chapters in 65k.

But I work on when the focus changes, the chapter changes, however long or short that is.
37
My average is 1200 words per chapter.

:icon_eek:

I guess I'm closer to MattT's idea of "short."  1200 words is roughly 4 pages.  And, that's your average?  So some are even less than that?

:eek:
38
You might be right. But, in order to stick to the structure of my story at 14 chapters per book, 42 chapters per trilogy. I have to make them kind of long. But, you're probably right.

Yes, I read 3-5 chapters in a single sitting.

So redefine the trilogy.

Bring each book down to 65k, which is less than 5k per chapter on average.

Or as I said, you add in a 3rd level to that. So each group of 14 chapters falls into something else.

Or shift it sideways. 14 chapters per part, 42 chapters per book, something.

Yeah I was thinking I can do 42 chapters a book. I really just like 14, because its the same structure as the biblical generations between important people/events. 14x3 is 42. And from Abraham to Jesus Christ is 42 generations, separated by 3 sets of 14 per major event. So there is a reason for my madness. But, I was told 100k words is perfectly acceptable for a book.

Maybe I'm writing Epics for each book?

100k is a good length, but with the sort of numbers you're talking about, it's also not a number that fits.

3 parts to a book, each with 14 chapters, for 42 per book, coming out around 65k to 100k each, should work.

Yeah, I'll probably switch it up. 14 Chapters is kind of lean, but doesn't really describe the full story per header. My very first book was 68k then it bumped up to 100k and my longest book is 175k. But, I probably will do that, 14 isn't enough to really justify all those subtitles.
39
You might be right. But, in order to stick to the structure of my story at 14 chapters per book, 42 chapters per trilogy. I have to make them kind of long. But, you're probably right.

Yes, I read 3-5 chapters in a single sitting.

So redefine the trilogy.

Bring each book down to 65k, which is less than 5k per chapter on average.

Or as I said, you add in a 3rd level to that. So each group of 14 chapters falls into something else.

Or shift it sideways. 14 chapters per part, 42 chapters per book, something.

Yeah I was thinking I can do 42 chapters a book. I really just like 14, because its the same structure as the biblical generations between important people/events. 14x3 is 42. And from Abraham to Jesus Christ is 42 generations, separated by 3 sets of 14 per major event. So there is a reason for my madness. But, I was told 100k words is perfectly acceptable for a book.

Maybe I'm writing Epics for each book?

100k is a good length, but with the sort of numbers you're talking about, it's also not a number that fits.

3 parts to a book, each with 14 chapters, for 42 per book, coming out around 65k to 100k each, should work.

40
You might be right. But, in order to stick to the structure of my story at 14 chapters per book, 42 chapters per trilogy. I have to make them kind of long. But, you're probably right.

Yes, I read 3-5 chapters in a single sitting.

So redefine the trilogy.

Bring each book down to 65k, which is less than 5k per chapter on average.

Or as I said, you add in a 3rd level to that. So each group of 14 chapters falls into something else.

Or shift it sideways. 14 chapters per part, 42 chapters per book, something.

Yeah I was thinking I can do 42 chapters a book. I really just like 14, because its the same structure as the biblical generations between important people/events. 14x3 is 42. And from Abraham to Jesus Christ is 42 generations, separated by 3 sets of 14 per major event. So there is a reason for my madness. But, I was told 100k words is perfectly acceptable for a book.

Maybe I'm writing Epics for each book?
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